For some it was a “delightful nostalgic evening recalling a time when romance was compatible with wit, irony and fun.” For others, it recalled the “reactionary, snobbish and sexually repressed and
juvenile theatre when censorship ensured our stage was as wholesome as a Monday wash and rather less interesting”.
I’m on a See Saw,
Piccadilly,
A Nanny’s Lament,
Ma Belle Marguerite,
Hengist and Horsa,
Uproarious Devon
Aucun dossier informatif complémentaire concernant Spread a little happiness
Aucun dossier informatif complémentaire concernant Spread a little happiness
Version 1
Spread a little happiness (1992-01-King's Head Theatre-London)
Type de série: OriginalThéâtre: King's Head Theatre (Londres - Angleterre) Durée : Nombre : 40 représentationsPremière Preview : Inconnu
Première: 14 January 1992
Dernière: InconnuMise en scène : Dan Crawford • Chorégraphie : David Toguri • Producteur : Star(s) : Avec: Thelma Ruby, Frank Thornton, Maurice Clarke, Ray C. Davis, Rachel Robertson, Fiona Sinnott, Sheridan MorleyCommentaires : For some it was a “delightful nostalgic evening recalling a time when romance was compatible with wit, irony and fun.” For others, it recalled the “reactionary, snobbish and sexually repressed and
juvenile theatre when censorship ensured our stage was as wholesome as a Monday wash and rather less interesting”.
Version 2
Spread a little happiness (1992-06-Whitehall Theatre-London)
Type de série: West End TransferThéâtre: Trafalgar Studios (Londres - Angleterre) Salle : Studio 1Durée : 2 semaines Nombre : 24 représentationsPremière Preview : Inconnu
Première: 29 June 1992
Dernière: 18 July 1992Mise en scène : Dan Crawford • Chorégraphie : Irvin Davies • Producteur : Star(s) : Avec: Thelma Ruby, Simon Shepherd, Jimmy Thompson, Clare Burt, Maurice Clark, Rachel Robertson, Andrew Newey, Sheridan Morley (alternating with Dillie Keane)Commentaires : For some it was a “delightful nostalgic evening recalling a time when romance was compatible with wit, irony and fun.” For others, it recalled the “reactionary, snobbish and sexually repressed and
juvenile theatre when censorship ensured our stage was as wholesome as a Monday wash and rather less interesting”.
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